Dumb idea of the week: playing several hours of Wii last night (including but not limited to boxing and lightsaber duels) when I have five or so hours of holding a choir folder full of Messiah today.
Arms. . .so. . .sore. . .
Honorable mention: grabbing onto the knife-blade side of the little survival tool I was using to saw off small drooping branches from the bottom of the Christmas tree. Thankfully realized what I was doing before I gripped hard enough to cut myself.
Guess it's my weekend to make a run on the Darwin awards. . .
Saturday, December 12, 2009
Monday, December 7, 2009
Accept the Mystery
I love it when the Coen Brothers play in the wisdom end of the pool.
I finally got to see A Serious Man when I was on vacation in MN. I went to see it with Dad and Brenda, who were kind of disappointed any scenes with their Chevelle were left on the cutting room floor (according to Dad, the car was "just to the right of the frame" in the final shot of the whirlwind).
They also found it a little confusing (especially the beginning and ending), as did I - but I think that was the point. The movie is inspired by the book of Job, it's a study on suffering, and just like the book of Job, the movie offers no clear cut resolution or answers to any of the questions it raises. Readers/viewers can only live the question and accept the mystery.
So, in that spirit, I'm not going to try to unpack a lot of it either. . .but I did find it interesting the way "I haven't done anything" becomes a kind of refrain for Larry Gopnik. It's true - he hasn't done anything to deserve any of the troubles that keep coming his way, and that's consistent with Job's story. But that's kind of a radical departure for Coen Bros leads - often their films contain a rather Lutheran understanding of the bondage of the will, often they document how one poor choice leads to another, and to another, until you are trapped by your choices (or are in bondage to sin, as we like to say) and can now only choose between the lesser of two evils.
Gopnik is a stark contrast to this - he hasn't done anything, he hasn't chosen anything, good or bad. Yet all this bad keeps happening to him, forcing him into impossible choices between the lesser of two evils anyway.
And then, at the very end, when he finally does do something ethically questionable, when he chooses, perhaps, the greater evil - then the phone call from the doctor comes, and the whirlwind shows up.
So - is he now being punished for finally doing something because what he did was wrong? Is he about to get his comeuppance from God?
The movie doesn't tell us.
Live the question. Accept the mystery.
I finally got to see A Serious Man when I was on vacation in MN. I went to see it with Dad and Brenda, who were kind of disappointed any scenes with their Chevelle were left on the cutting room floor (according to Dad, the car was "just to the right of the frame" in the final shot of the whirlwind).
They also found it a little confusing (especially the beginning and ending), as did I - but I think that was the point. The movie is inspired by the book of Job, it's a study on suffering, and just like the book of Job, the movie offers no clear cut resolution or answers to any of the questions it raises. Readers/viewers can only live the question and accept the mystery.
So, in that spirit, I'm not going to try to unpack a lot of it either. . .but I did find it interesting the way "I haven't done anything" becomes a kind of refrain for Larry Gopnik. It's true - he hasn't done anything to deserve any of the troubles that keep coming his way, and that's consistent with Job's story. But that's kind of a radical departure for Coen Bros leads - often their films contain a rather Lutheran understanding of the bondage of the will, often they document how one poor choice leads to another, and to another, until you are trapped by your choices (or are in bondage to sin, as we like to say) and can now only choose between the lesser of two evils.
Gopnik is a stark contrast to this - he hasn't done anything, he hasn't chosen anything, good or bad. Yet all this bad keeps happening to him, forcing him into impossible choices between the lesser of two evils anyway.
And then, at the very end, when he finally does do something ethically questionable, when he chooses, perhaps, the greater evil - then the phone call from the doctor comes, and the whirlwind shows up.
So - is he now being punished for finally doing something because what he did was wrong? Is he about to get his comeuppance from God?
The movie doesn't tell us.
Live the question. Accept the mystery.
Saturday, December 5, 2009
Next Year in a Real Recital Hall!
While vast improvements have been made to Skoglund since my days on the hill (the newer stadium seats are much more comfortable than the old wooden, backless bleachers), it's still kind of ridiculous to me that a music program the caliber of St. Olaf's has no large performance space built intentionally with acoustical quality in mind. Essentially, I've decided it's time to get the Christmas festival out of the gym, and so, I will henceforth end every Christmas Festival experience with this cry that hopes for the next experience to occur in its rightful place.
But I digress - obviously, I actually got tickets this year and spent Thursday night in Northfield. I refuse to eat lutefisk and was jonesing for Hogan Brothers anyway, so we got to town early enough to grab dinner there. Little did I know Northfield was having its annual holiday night on the town - Division St. was totally closed and turned into a pedestrian mall, and everyplace was packed. The line at Hogan Bros was so long that people who were in the front of it when we arrived were done eating by the time we placed our order and were looking for a place to sit!
At least we had some entertainment - while we were waiting in line, in an "only in Northfield" kind of moment, this group of carolers came in to the cafe. Caroling in itself not so unusual for this time of year, on this kind of night - what made it "only in Northfield" was the perfectly balanced and blended four part harmony they had going on (like a mini, roving St. Olaf Choir), AND the fact that a bunch of people in the cafe (myself included) joined them, in four part harmony, without the benefit of music or lyrics.
The Festival itself was particularly excellent this year. They used some liturgical dancers at the beginning, which was a nice visual element to incorporate; they also made some very creative interpretive choices (like on F. Melius' setting of Praise to the Lord, which was sung as a mass choir piece - instead of having the whole group sing the whole time as has been done in the past, it started with the Ole choir, then added Cantorei, then Chapel, then Viking and Manitou, so it kept building and building until everyone was joining in the glad adoration - gives me goosebumps just thinking about it again!); and the musical selection overall was varied and interesting, including a moving rendition of "E'en So Lord Jesus Quickly Come," sung in loving memory of Paul Manz.
Christopher Aspaas is also new since my days in Norway Valley, but I am greatly impressed with him and especially fond of his selections for Chapel Choir and Viking Chorus, and not just because he had them sing my Christmas Eve psych up song:
[This was the only youtube video I could find for this - this choir is ok, but the Chapel Choir was better! The version I listen to on Christmas Eve is this one by the Dale Warland Singers, which is indubitably the best! :) ]
In any case, the other pieces they sang (the rest of which were new to me) were also very enjoyable. I think he's a valuable addition to the faculty, and look forward to hearing what he does with these choirs in the future. . .hopefully in a new recital hall! :)
Happy Advent,
C.
But I digress - obviously, I actually got tickets this year and spent Thursday night in Northfield. I refuse to eat lutefisk and was jonesing for Hogan Brothers anyway, so we got to town early enough to grab dinner there. Little did I know Northfield was having its annual holiday night on the town - Division St. was totally closed and turned into a pedestrian mall, and everyplace was packed. The line at Hogan Bros was so long that people who were in the front of it when we arrived were done eating by the time we placed our order and were looking for a place to sit!
At least we had some entertainment - while we were waiting in line, in an "only in Northfield" kind of moment, this group of carolers came in to the cafe. Caroling in itself not so unusual for this time of year, on this kind of night - what made it "only in Northfield" was the perfectly balanced and blended four part harmony they had going on (like a mini, roving St. Olaf Choir), AND the fact that a bunch of people in the cafe (myself included) joined them, in four part harmony, without the benefit of music or lyrics.
The Festival itself was particularly excellent this year. They used some liturgical dancers at the beginning, which was a nice visual element to incorporate; they also made some very creative interpretive choices (like on F. Melius' setting of Praise to the Lord, which was sung as a mass choir piece - instead of having the whole group sing the whole time as has been done in the past, it started with the Ole choir, then added Cantorei, then Chapel, then Viking and Manitou, so it kept building and building until everyone was joining in the glad adoration - gives me goosebumps just thinking about it again!); and the musical selection overall was varied and interesting, including a moving rendition of "E'en So Lord Jesus Quickly Come," sung in loving memory of Paul Manz.
Christopher Aspaas is also new since my days in Norway Valley, but I am greatly impressed with him and especially fond of his selections for Chapel Choir and Viking Chorus, and not just because he had them sing my Christmas Eve psych up song:
[This was the only youtube video I could find for this - this choir is ok, but the Chapel Choir was better! The version I listen to on Christmas Eve is this one by the Dale Warland Singers, which is indubitably the best! :) ]
In any case, the other pieces they sang (the rest of which were new to me) were also very enjoyable. I think he's a valuable addition to the faculty, and look forward to hearing what he does with these choirs in the future. . .hopefully in a new recital hall! :)
Happy Advent,
C.
Saturday, November 7, 2009
Everyone's a Critic
So yesterday Batman Jack and Batgirl Olivia busted through the wall of pillows that had been blocking the only way out of the ice cave in which they were trapped, only to be confronted with their nemesis, Blanketmaster. Blanketmaster is a nefarious fiend who covers his adversaries with a large magical blanket which makes them automatically fall into a deep sleep, even in the middle of the day!
But never fear, Batfans, for Batman and Batgirl bravely battled the Blanketmaster, wresting the magical blanket out of his hands and then using it against him, forcing him to fall asleep! While the Blanketmaster slumbered, Batman and Batgirl went to their lab and concocted a special potion and then fed it to him, freeing the Blanketmaster from his fiendish ways and restoring him to his original identity as mild-mannered Uncle Patrick.
Batman and Batgirl removed the magical blanket to awaken Uncle Patrick, who got up and moved to the couch thinking "This is the coolest comic book I've ever lived in!"
That is, until he sat down and Batgirl came up to him and said "This isn't a very good story."
Man, some imaginations are so demanding and hard to please! :)
But never fear, Batfans, for Batman and Batgirl bravely battled the Blanketmaster, wresting the magical blanket out of his hands and then using it against him, forcing him to fall asleep! While the Blanketmaster slumbered, Batman and Batgirl went to their lab and concocted a special potion and then fed it to him, freeing the Blanketmaster from his fiendish ways and restoring him to his original identity as mild-mannered Uncle Patrick.
Batman and Batgirl removed the magical blanket to awaken Uncle Patrick, who got up and moved to the couch thinking "This is the coolest comic book I've ever lived in!"
That is, until he sat down and Batgirl came up to him and said "This isn't a very good story."
Man, some imaginations are so demanding and hard to please! :)
Guitar Hero
I finally figured out the chords to Brandi Carlile's song "Dying Day" but I'm not web-savvy enough to post it on any of those open source chord sites, though having at various times benefitted from others work on those sites myself, I feel the need to put this out on the web somehow.
So - with an expression of great admiration for Ms. Carlile and the Hanseroth twins, and a disclaimer that this is the best I've come up with in attempting to interpret the song - it's in Bm and the verse is basically following the circle of fifths from Bm to G, but instead of going all the way around the circle to C F it finishes with E A (which not only sounds good but is kind of brilliant in relation to the lyric, which is about being away from the one you love - the singer hasn't come home yet, so you can't land there musically either, the circle remains incomplete). The tricky thing is, I know I'm hearing G#s in there occasionally, so I'm pretty sure her E chords are all major, not minor as the key would dictate.
The chorus is not circle of fifths but goes like this:
Bm G D G A D G
Bm G D G A D G A
G A Bm
The other tricky part is the chord played underneath her humming before kicking into the last time through the chorus - it took me a while but I finally realized it's an F# major - if you're barring the Bm just keep barring and shift your fingers over for the major, then back to the minor as you launch into the final chorus.
Enjoy!
C.
So - with an expression of great admiration for Ms. Carlile and the Hanseroth twins, and a disclaimer that this is the best I've come up with in attempting to interpret the song - it's in Bm and the verse is basically following the circle of fifths from Bm to G, but instead of going all the way around the circle to C F it finishes with E A (which not only sounds good but is kind of brilliant in relation to the lyric, which is about being away from the one you love - the singer hasn't come home yet, so you can't land there musically either, the circle remains incomplete). The tricky thing is, I know I'm hearing G#s in there occasionally, so I'm pretty sure her E chords are all major, not minor as the key would dictate.
The chorus is not circle of fifths but goes like this:
Bm G D G A D G
Bm G D G A D G A
G A Bm
The other tricky part is the chord played underneath her humming before kicking into the last time through the chorus - it took me a while but I finally realized it's an F# major - if you're barring the Bm just keep barring and shift your fingers over for the major, then back to the minor as you launch into the final chorus.
Enjoy!
C.
Thursday, November 5, 2009
The Main(e) Thing
So my friend Trina, Ms. Community Organizer Extraordinaire, has spent the better part of the past year schlepping across the great state of Maine trying to mobilize Mainers to protect marriage equality for their LGBT family, friends, and neighbors. Despite her and many others valiant efforts, on Tuesday the people of Maine voted to repeal their state legislature's decision to legalize gay marriage.
Some of the commentary that followed this decision focused on how, thus far, the states which allow for gay marriage have created this permission through judicial or legislative channels (and Maine was originally in this camp as well, as their state legislature passed a law to make gay marriage legal). Had Proposition 1 failed, Maine would have become the first state to affirm/allow legalization of gay marriage via a popular vote as well.
This has all prompted two questions in my mind:
First, is such analysis discounting "silent majorities?" I mean, so Maine and California have both taken legislative or judicial action which have been subsequently repealed by a popular vote. But states like New Jersey and Iowa have taken similar actions through similar channels and have not had those decisions challenged by a popular vote. Is it then fair to say that the failure to produce a proposition to repeal indicates a tacit public acceptance or approval of these actions? Will we give Iowa and New Jersey's silence and inaction on this matter the same weight as we've given to Maine and California's vociferous and controversial actions to repeal? In other words, is not bringing it up for a public vote a de facto popular vote victory? And if so, why aren't we saying that out loud?
Second, and more importantly (and I don't know why this never occurred to me sooner), why it is, in fact, so terribly important to make gay marriage legal with a popular vote?
I mean, maybe I misunderstood something in my high school civics class, but I've always been under the impression that our government was created with an intentional set of checks and balances, which were meant both to prevent one person (or group of persons) from assuming too much power, and to protect the rights of the minority. When a miscarriage of justice is committed by one branch of our government, the other branches have the right and obligation to correct or amend it; similarly, when a miscarriage of justice is committed by the larger society, the government has the right and the obligation to both correct that injustice and to protect those victimized by it.
Or to put it another way, when a popular vote denies equal protection under the law, it remains the government's job to provide it.
Which begs the question - are some judges "activists legislating from the bench," as some folks so often complain, or are these judges simply doing their job to ensure equal protection under the law? Where would we as a society be without the "activist" judges behind decisions like Brown v. Board of Education or Loving v. Virginia? And similarly so, where would we be without "interest group" legislation like Title IX, or the Americans with Disabilities Act, or the 14th, 15th, and 19th amendments? And where would we be if Presidents Dwight D. Eisenhower and John F. Kennedy had not boldly employed their executive powers to secure both the physical safety and constitutional rights of the Little Rock 9 and James Meredith, respectively? When popular opinion or vote denies equal protection under the law, it is the government's responsibility to provide it.
And that, to my mind, is what is going on here. LGBT people are currently being denied equal protection under the law, insofar as marriage allows one certain legal rights in relation to one's partner and any offspring or property shared with said partner. As such, it is entirely within the rightful sphere of influence of any branch of our government to correct or amend this injustice, regardless of the public's opinion, or official vote, on the matter. Now, I suppose you could debate whether or not marriage is an inalienable right that must be guaranteed to all people, but that's an entirely different argument than claiming the branches of government have no business acting outside of "majority opinion" on this issue.
So, while winning a popular vote to legalize gay marriage would certainly signal a "turning of the tide" as to whose opinion is perceived to be "majority," and while it should in theory, at least, shut down complaints about "activist judges" - I guess I don't see it as so crucial to legitimize actions taken by our government to protect our fellow citizens.
But then again, I'm an Upper Midwestern progressive, I'm predisposed to like government and believe in its potential to make the country and the world a better place to live. . .
Peace,
C.
Some of the commentary that followed this decision focused on how, thus far, the states which allow for gay marriage have created this permission through judicial or legislative channels (and Maine was originally in this camp as well, as their state legislature passed a law to make gay marriage legal). Had Proposition 1 failed, Maine would have become the first state to affirm/allow legalization of gay marriage via a popular vote as well.
This has all prompted two questions in my mind:
First, is such analysis discounting "silent majorities?" I mean, so Maine and California have both taken legislative or judicial action which have been subsequently repealed by a popular vote. But states like New Jersey and Iowa have taken similar actions through similar channels and have not had those decisions challenged by a popular vote. Is it then fair to say that the failure to produce a proposition to repeal indicates a tacit public acceptance or approval of these actions? Will we give Iowa and New Jersey's silence and inaction on this matter the same weight as we've given to Maine and California's vociferous and controversial actions to repeal? In other words, is not bringing it up for a public vote a de facto popular vote victory? And if so, why aren't we saying that out loud?
Second, and more importantly (and I don't know why this never occurred to me sooner), why it is, in fact, so terribly important to make gay marriage legal with a popular vote?
I mean, maybe I misunderstood something in my high school civics class, but I've always been under the impression that our government was created with an intentional set of checks and balances, which were meant both to prevent one person (or group of persons) from assuming too much power, and to protect the rights of the minority. When a miscarriage of justice is committed by one branch of our government, the other branches have the right and obligation to correct or amend it; similarly, when a miscarriage of justice is committed by the larger society, the government has the right and the obligation to both correct that injustice and to protect those victimized by it.
Or to put it another way, when a popular vote denies equal protection under the law, it remains the government's job to provide it.
Which begs the question - are some judges "activists legislating from the bench," as some folks so often complain, or are these judges simply doing their job to ensure equal protection under the law? Where would we as a society be without the "activist" judges behind decisions like Brown v. Board of Education or Loving v. Virginia? And similarly so, where would we be without "interest group" legislation like Title IX, or the Americans with Disabilities Act, or the 14th, 15th, and 19th amendments? And where would we be if Presidents Dwight D. Eisenhower and John F. Kennedy had not boldly employed their executive powers to secure both the physical safety and constitutional rights of the Little Rock 9 and James Meredith, respectively? When popular opinion or vote denies equal protection under the law, it is the government's responsibility to provide it.
And that, to my mind, is what is going on here. LGBT people are currently being denied equal protection under the law, insofar as marriage allows one certain legal rights in relation to one's partner and any offspring or property shared with said partner. As such, it is entirely within the rightful sphere of influence of any branch of our government to correct or amend this injustice, regardless of the public's opinion, or official vote, on the matter. Now, I suppose you could debate whether or not marriage is an inalienable right that must be guaranteed to all people, but that's an entirely different argument than claiming the branches of government have no business acting outside of "majority opinion" on this issue.
So, while winning a popular vote to legalize gay marriage would certainly signal a "turning of the tide" as to whose opinion is perceived to be "majority," and while it should in theory, at least, shut down complaints about "activist judges" - I guess I don't see it as so crucial to legitimize actions taken by our government to protect our fellow citizens.
But then again, I'm an Upper Midwestern progressive, I'm predisposed to like government and believe in its potential to make the country and the world a better place to live. . .
Peace,
C.
Murphy's Law Part 2
The day I am running late to get to Geisinger Medical Center (1/2 hour drive away when I'm lead-footing it) in order to pray with someone before an early morning surgery is - without fail - the morning Hermes the Honda's windows are covered in frost thick enough to require scraping.
At least I found a parking spot that wasn't in outer Mongolia, and they didn't take my parishioner back to pre-op right away, so I made it in time. But probably not so good to start the day with a couple of choice unprintables. . .
At least I found a parking spot that wasn't in outer Mongolia, and they didn't take my parishioner back to pre-op right away, so I made it in time. But probably not so good to start the day with a couple of choice unprintables. . .
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